Teaching Measure Lines

With the rise of the rhythm play-along videos since the pandemic, I realized a couple of years ago that my students no longer understood the concept of a measure or a measure line when reading full music notation. It's a small thing that I didn't miss until it was gone, and over the last couple of years have been working to recover! Here are some very simple tips for bringing back the measure line.

I realized my students were missing some important learning when my 3rd graders who were learning a new song on recorder asked me what kind of rhythm those vertical lines were. I hadn't realized it at the time, but a lot of my composition worksheets just have 1 measure per line (or just 1 measure total) so it's big enough for young students' larger writing, I use rhythm play-along videos that have each beat in a box rather than using measure lines, and when they were using manipulatives to compose I would have them put each measure on its own line. They had no idea what a measure line was because I never used them!

Here are a few simple ways I started incorporating measure lines into rhythm notation practice. After making these small tweaks for the last year and a half or so, my students no longer stumble over the measure lines when we get to a fully notated melody (it's really not a very difficult concept as long as you don't completely forget about them like I did!).

1. Popsicle Sticks

When I have students use composition manipulatives like these cards, I give them popsicle sticks and have them use those as the measure lines and place the manipulatives on the floor or staff lines with at least 2 measures in a row so they can see how the popsicle stick measure line divides the groups of beats.

2. Worksheets

I actually intentionally kept my composition worksheets that have one measure per line the same. The first thing I have students do now when I am having them write a rhythm or melody is write in the measure lines themselves to divide each line into at least 2 measures. They still have plenty of room for the rhythms they are writing even with the lines divided in half!

3. Rhythm Practice Examples

The latest change I have been working on making is replacing some of the rhythm practice visuals I use that look like this:

Instead of having each measure in a different colored box, I'm putting the notes on a single line staff and adding measure lines, like this:

Small changes like these have made measure lines very straightforward for my students, and it really doesn't seem to create any added difficulty for them either. I have really noticed a big difference in my students' ability to read full musical notation by making sure I'm incorporating more elements like measure lines in our regular practice!

Read more "Teaching Measure Lines "

Boots of Shining Leather: modern movement

I love using the song "Boots of Shining Leather" to introduce ti with my 4th graders. Last year my 4th graders were very challenging to engage, so I was determined to make the song, and the circle dance I've always had students do with it, feel a little more modern to get better buy in. And it worked! After teaching the same movement with the song again this year, I thought it was time to share for anyone else looking to update their lessons to make it more relevant.

I like using the song "Boots of Shining Leather" to teach ti for a lot of reasons, especially because it is perfect to use to review canon singing, which leads into learning partner singing, and I use it to also introduce accelerando and ritardando, which the song lends itself well to. But the different movement / folk dances I had seen used with the song felt very outdated and boring. I also found that the movements were often to similar in the different parts of the song, which makes it a bit counterproductive, because adding a movement component is really helpful for helping each group keep track of where they are when they sing in canon. And some of the movements don't really move with the beat, which doesn't work well when I'm using the song to practice tempo. 

So for those reasons I knew I wanted to update the movements, and last year this is what I came up with. It has been very successful 2 years in a row- in fact, my 4th graders told me last week that they had been singing and doing the dance outside at recess after we did it in class! That's always the ultimate sign of a win in my book, especially with the upper grades!

I hope you'll consider trying out this version, or even get inspired to add your own spin on movement for upper elementary students. It has not only been engaging and fun for my students but it has significantly improved their learning because of the more obvious beat, differentiated movements for each phrase, and motions that match the lyrics.

If you want to learn more about my lessons using the song, and how I introduce and practice the solfege, here is my post on that. And of course all of the details and materials for the lessons are in my 4th grade curriculum!

Read more "Boots of Shining Leather: modern movement "

Sonor Glockenspiel Mallet Solution

I have a very specific problem that I found a very specific but magical solution to, and I am so excited about it that I hope this is useful for other music teachers and students! If you have any of the barred instruments similar to the Sonor BWG Soprano Glockenspiel in Boomwhacker Colors, where the mallets go into a slot built into the side of the instrument, this hack is for you!

If you haven't heard me say this before, I am a big fan of the boomwhacker colored glockenspiels, and I definitely did not think I would be. Their sound quality is great, and most importantly, the colors have been an extremely effective teaching tool for every grade level Kindergarten through 6th- I use them so much more than I ever thought I would! But I have always had one bone to pick with them: the mallet holders.

I love how sturdy the construction is in general so they are easier for my youngest students to carry without all the bars falling off, and I love that the extra bars and mallets come attached to the instrument so I don't have to juggle extra things when we're getting them out to play. But my students always struggled to put them back in the slots correctly no matter how hard I tried to explain and show them how to do it properly, to the point that several of the mallets were completely snapped in half, and I resorted to telling my students not to try to put the mallets back in themselves because I was so afraid of breaking more mallets. 

Then a few weeks ago one of my 3rd graders taught me how to get my students to put them away properly, and their explanation has had a 100% success rate in making instant sense to all my students since I adopted their explanation! When I was trying to explain to the class that they need to put the stick side into the hole so the ball part can rest in the notch, my student casually raised their hand and said, 

"it's like putting a baby to bed!"

Don't worry, I didn't get it at first either. Upon further inquiry, she explained that the slot that the shaft slides into is the blanket, the mallet head is like the baby's head, and the notch is the pillow. 

You have to put the baby's head on the pillow.

I kid you not, the entire class (myself included) immediately let out a collective "oooooohhhhh" and suddenly I looked around and every single student was very easily putting the mallets in correctly. I was stunned. Since then I have used the baby explanation in every class that uses them, in all different grade levels, and it has worked instantly every time- even in Kindergarten. No more broken mallets! 

So I think there are a few morals to this story: 

1. Listen to your students. Sometimes they are the best teachers.

2. Just put the baby's head on the pillow.

If you're interested in hearing more about how I teach xylophones and other barred instruments in my elementary music lessons, check out this post. Have you gotten any mind blowing pearls of wisdom from your students? I'd love to hear them in the comments. 

Read more "Sonor Glockenspiel Mallet Solution"

Ukulele Songs for Beginners

The best part of learning ukulele is being able to play harmonic accompaniment with so many familiar songs in different styles and genres! I teach ukulele in 6th grade general music so we don't have a ton of time to develop advanced skills beyond the first 4 chords. Here are some of my favorite songs to have students play in elementary music using just a few basic chords.

3 chord songs (C, F, Am)

I always teach C major, F major, and A minor chords in one 25-minute lesson- they are all pretty easy to learn and students get them pretty quickly! Once we spend the first lesson just practicing each chord on its own, the second lesson is focused on getting more comfortable with those 3 chords and practicing switching between chords. Here are a few songs I like to use to give them a chance to practice switching between C, F, and Am chords with music that my 12 year old students don't groan about (usually):

4 chord songs (C, F, G, Am)

Once students are comfortable with C, F, and Am, it's time to add G. Learning a G chord is always a bit frustrating for students because it's much more difficult than the first 3, but they quickly realize how many more songs they can play and they get used to it after a few lessons of practice! Here are some of my favorite songs using those 4 chords for my 6th graders:

I hope this gives you some fresh material to use with what I know can often be a difficult to please age group! If you want to learn more about how I teach ukulele, including basic ideas about what instruments to purchase, storage tips, and more, here is my post on all things ukulele. You'll also find all of my sequenced lesson plans and materials incorporated into my 6th grade general music curriculum here. 

Read more "Ukulele Songs for Beginners"