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Showing posts with label guest post. Show all posts
Showing posts with label guest post. Show all posts

Tuesday, March 29, 2016

interview with NAfME on new legislation (ESSA)

This week's post is going to be a bit different- I'm thrilled to share some important information on the new legislation that was recently passed called Every Student Succeeds Act (ESSA), which replaces the No Child Left Behind Act (NCLB). I was invited to interview Ronny Lau, Legislative Policy Advisor, and Lynn Tuttle, Senior Regulatory Policy Advisor, both from the National Association for Music Education (NAfME), about the impact that this new legislation can have for music education in the United States. You will find links to further information included below as well- I hope you will take the time to read about this, as these changes open up possibilities for real, positive changes in music education!


1.       For those who may not be aware of the new legislation, could you please summarize the key points of ESSA as a whole, and also how music is treated differently in ESSA compared to NCLB?
·         The passage of ESSA is a historic victory for music educators and advocates because it includes for the first time a specific and separate mention of “music” as an enumerated subject of the “Well-Rounded Education” provision. Although not a mandate, this language makes it clear that music education should be a part of every child’s education, regardless of their background or personal circumstance.  In addition, this critical stand-alone listing connects music to various provisions and programs throughout ESSA, providing increased opportunities to use federal funding to increase access of music education for all students.

·         Here are some of the many major funding initiatives that may include music:
i.                    Additional Flexibility in Title I Funding, including school-wide support and targeted assistance to Title I Schools to benefit students in most need.
ii.                  Funds from Titles I, II, and IV of ESSA may support professional development for music educators as part of a Well-Rounded Education.
iii.                Music now has access to a NEW pot of federal funds within Title IV – entitled ‘21st Century Schools,’ which may be used to support schools in their use of technology, in creating safe environments, and other Well-Rounded Educational opportunities.

2.       Will there be any changes to standardized testing as a result of ESSA? Will standardized testing in general decrease? Will there be standardized tests added for music?
·         ESSA does not impose additional accountability measures on music programs or require standardized testing.  States under ESSA will still have to create accountability systems that track student progress in tested subject areas such as reading, mathematics, and sciences, in order to get Federal dollars authorized under ESSA.  However, states have a lot more flexibility and ownership over what their accountability systems look like under ESSA in comparison to “No Child Left Behind” (NCLB).  

3.       Will there be any changes to teacher evaluations? Many teachers' evaluations, which tie directly into their employment, are currently based in part on students' test scores, usually in subject areas outside of music.
·         This is an excellent question - and one that needs to be watched state by state. Under ESSA, Congress forbids the federal government from mandating teacher evaluation systems, turning on its head the "Highly Effective Teachers and Leaders" evaluation requirements found in the ESEA Waiver process created by the U.S. Department of Education. So - the feds will no longer require this.

·         The question gets tricky, though, in that almost all states had to either enact legislation or administrative rule (such as State Board of Education rules) to create teacher evaluation systems which would meet the requirements of the ESEA waiver process. While the feds no longer require it, the states have put in teacher evaluation systems which are now built into law and education rule. So - we don't know what will happen. Will states continue to utilize the systems they have built under the ESEA Waivers and Race to the Top? Will they change their state level rule and law to ease up on some of these requirements - including the requirements of measures of student growth which don't fit the non-tested subject areas such as music? Will they keep their current rules and laws in place, but just ignore them - or not place as much emphasis on the rules? It's hard to say how this will play out. NAfME is hopeful, however, that with the easing of accountability rules, and the end of the waivers that states and districts will have more flexibility in terms of teacher evaluation, and time to determine the best ways to measure all educators, including those without state level valid and reliable measures of student growth.

4.       Are individual states now obligated to comply with ESSA, and if so, how long should teachers expect implementation at the state and district levels to take? If not, what steps need to be taken to ensure that this legislation is implemented at the state and district levels?
·         On August 1, 2016, ESSA will be in effect and serve as the “law of the land” for K-12 education, replacing No Child Left Behind.  Implementation and preparation for ESSA is already ongoing between the U.S. Department of Education and states, which NAfME continues to be deeply involved.

·         In order to ensure this legislation is implemented properly, this is where our educators come in and can get involved. Music educators should provide the resources and materials to their administrators from the NAfME “Everything ESSA” webpage, in particular our “ESSA Implementation Guide.”   This will create a lot of open dialogue between the educator and administration regarding the ample amount of programs that are now available to music education. Because of this piece of legislation, the door is essentially wide open for open-dialogue on how to best use federal dollars to provide a broad and rich curriculum that includes music for students.

5.       How does the treatment of music in ESSA tie in with the Opportunity to Learn standards? Schools, districts, and states do not currently seem to be aware of these standards, let alone feel compelled to follow them. Will this change under ESSA?
·         The Opportunities to Learn standards (OTLs) tie in nicely with Title IV-A of ESSA. This chapter of the law, entitled "21st Century Schools," includes a provision for school districts to undertake a needs assessment for their well-rounded educational opportunities, which includes music. The OTLs are a wonderful tool by which a district can measure or assess what is going well in its music education offerings and where the district might need to do more. The needs assessment for music would then be added to the needs assessments from all the other well-rounded education subjects, and the district then prioritizes what areas need the most support in terms of supplemental Title IV-A funding. NAfME encourages music educators to get involved in the needs assessment work of their local school districts, and we certainly think the OTLs are a great place to start evaluating your district's music programs.

6.       Will ESSA affect the adoption and/or implementation of the National Core Music Standards in any way?
·         ESSA does not speak directly to state level adoption or revision of standards, outside of requiring states to have "challenging state standards" in the subject areas included in the accountability system - at a minimum, English, Mathematics and Science. With that said, the easing of the accountability system and the opportunity for "multiple measures" within state systems should create some breathing space for states to revise state level standards in subject areas beyond the tested subjects. Additional opportunities for revising state level music standards have been forthcoming as states are now 6 years into implementing Common Core State Standards, giving states time, funds and energy to focus on standards in other subject areas including music and the arts. The 2015-2016 school year has seen the most activity for revising state level music standards in more than a decade, with Idaho, Montana, Delaware, Illinois, Utah, New York, Connecticut, Kentucky, Alaska, and others either completing a revision process or getting one started.

7.       In what ways should the changes in ESSA affect the day to day lives of students and music educators?

·         Overall, ESSA will not make apparent changes to the day to day lives of students and music educators.  The most significant changes are those that are “behind the scenes” due to music’s “Well-Rounded” enumeration and the increased available funding opportunities for music programs.  Now the keyword here is ‘opportunities,’ as funding is not guaranteed, but this is where our educators come in. The door has never been more wide open for music educators to have a seat at the table to engage in high-level discussions with administrators.  That is why it is incredibly important for our educators to recognize the many programs that may benefit music when speaking their administrators. NAfME highly suggests all music educators and advocates check out our “Everything ESSA” page for toolkits, resources, and implementation guides, which all may be provided to their administrators. 

Thursday, September 25, 2014

Guest Post: Blogging 101

Hi everyone! Today I'm excited to introduce you to a wonderful blogger: Jennifer from The Yellow Brick Road! I found her blog last year and felt that as a teacher I could relate to so much of what she shared, and got quite a few awesome ideas from her as well. This summer Jennifer decided to become a full-time teacher-author/blogger, and she has shared some fantastic tutorials on her blog for blog design, so I wanted to invite her to come and share some of her top tips for blogging. Having started this blog not too long ago myself, I am excited to hear her advice. After you read her post here, don't forget to head on over to her blog to find more awesome ideas for music teachers and bloggers! Enjoy!



First, I would like to thank Elizabeth for inviting me to be a guest on her blog. I'm thrilled to share my ideas with all of you in my first venture as a guest blogger!

Today I'll be sharing what I've learned about blogs as a long-time reader and author. Long ago, in my first years of teaching, music education blogs were a haven for newbie music teachers like me. I've since moved beyond that frightening first year, but I continue to value the many benefits that blogs bring to my life, including real-life experiences, teaching tips, and amazing ideas for the classroom.

Back when I was an avid blog-reader, I tended to have a lot of questions about how to start blogging. Today, I'll be dissecting some of those questions, along with questions I've heard repeatedly from others. Whether you're a reader, author, or blogger-in-training, these ideas will help get you started in one of my favorite music teacher resources: blogs.

Why should I continue to read blogs, and why might I choose to author my own blog?

When you consider the wealth of knowledge that comes from real-life experiences of music teachers from around the world, reading blogs is the most cost-effective professional development you'll ever receive. I've learned about classroom management, music technology, curriculum development, assessment tools, and many other best practices, all by reading music education blogs. As an added bonus, many blogs offer music resources and freebies that you can immediately implement into your own classroom.

Reading blogs also prevents the social isolation that many music teachers experience in their first years. When I was teaching elementary music, I often felt as though I was on my own little, musical island. After becoming a follower of several music education blogs and connecting with other teachers through social media, I discovered that my experiences were shared among a large group of music teachers from all around the world. It made me feel less alone and helped me to feel more confident about the decisions I was making for my own elementary music program.

As a teacher, what are the benefits to becoming a blog author?

Writing about your experiences as a teacher is a great way to reflect on your practice. When I write an entry about how to play a rhythmic game or how to manage the classroom, I'm forced to reflect on my efficiency as a teacher. Through your writing, you're held accountable by your readers to present ideas that are both thorough and effective. Through this type of self-reflection, you learn to improve your craft and fine-tune every detail of your lesson.

Blogging is more than just improving your teaching; however, it's also a way to share your knowledge with others. You may be surprised to discover that what seems like a simple idea to you is considered a breakthrough by another teacher.

Below is a short list of blogs and the reason why their authors continue to share their thoughts with the world.

-To record experiences for family, friends, or the entire world
Love, Teach

-To share ideas and connect with colleagues
The Yellow Brick Road

-To satisfy a desire to write
Laura Writes Stuff

-To earn an income through writing
The Art of Doing Stuff

What would I write about as a blog author?

You've probably heard this before, but it's worth repeating. Write about what you know. The best entries I've ever written are the ones in which I felt the most passionate, hence my own music education blog. Your perspective is unique and valuable. To quote Dr. Suess, “Today you are You, that is truer than true. There is no one alive who is Youer than You.”

How do I get started?

To get your blog running, you'll need to choose a platform, such as Blogger, Weebly, or Wordpress. As for the looks of your blog, you can choose to hire a blog designer or purchase a pre-made blog template.

If you're like me, and tend to "learn by doing," you may want to design your own blog. It's not nearly as daunting as it sounds. If you'd like to go this route, you can check out my tutorials here. In these tutorials I take you through designing your blog header step-by-step. I give you tips for choosing a color palette, properly crediting graphic artists, as well as how to create a clickable blog header for your social media icons.

How often should I write in my blog?

I know from personal experience that I won't be consistent in visiting a blog if the author isn't consistent in posting. If a blogger says, "I'm going to post once a week," then I expect them to follow through. Occasionally there are unforeseen circumstances that make writing a post impossible, in which case it's nice to hear from the blog author why posts will be delayed. I value honesty, and I suspect that other readers do too.

If you would like to read more about my experiences with blogging, head on over to The Yellow Brick Road. From there, you can read through old blog posts, sift through free music resources, and even browse my TPT store.

Thank you again to Elizabeth for inviting me to write on her blog and share ideas with her readers and colleagues. If you have any questions about blogging, please don't hesitate to leave them in the comments. I would be happy to continue to share ideas with you!